TL;DR: The Street Fighter box office opening is on track for about $31 million in North America this weekend, putting Paramount and Legendary’s video game adaptation at No. 1. A24’s Elizabeth Holmes documentary You Can See Everything is projected at roughly $12 million to $14 million from just 855 theaters, which would be the second-best documentary opening ever. Disney’s Whalefall is looking at a soft $7.5 million start. These are studio and industry projections as of Saturday, October 17, 2026; official Sunday estimates and Monday actuals may differ.
The Street Fighter box office debut is doing exactly what its studio hoped. The film took $13 million on Friday from 3,575 North American theaters, according to Variety, and Paramount is projecting $31 million for the three-day weekend. The bigger surprise of the weekend, though, is a three-hour documentary about a Silicon Valley fraud.
Weekend box office projections, October 16-18
Here is the top of the chart based on Deadline’s Saturday update. Weekend figures are projections, not final grosses.
| Rank | Film (distributor) | Theaters | Friday | 3-day projection | Running total |
|---|---|---|---|---|---|
| 1 | Street Fighter (Paramount) | 3,575 | $13M | $31M | Opening |
| 2 | You Can See Everything (A24) | 855 | $5.5M | $12M-$14M | Opening |
| 3 | Other Mommy (Universal) | 3,370 | $2.56M | $7.85M | $44.3M |
| 4 | Whalefall (20th Century) | 3,065 | $3M | $7.5M | Opening |
| 5 | Sense and Sensibility (Focus) | 2,545 | $3.3M | $6.7M | Opening |
| 6 | Verity (Amazon MGM) | 3,072 | $2.1M | $6.5M | $66.4M |
| 7 | Resident Evil (Sony) | 2,705 | $1.6M | $5.5M | $148.5M |
| 8 | Heart of the Beast (Paramount) | 3,049 | $1.45M | $5.1M | $58.6M |
Variety’s Friday ranking put Sense and Sensibility third and Whalefall fourth on Friday grosses alone, so the middle of the chart could still shuffle when Sunday numbers come in.
Street Fighter lands a solid hit
Directed by Kitao Sakurai, the new Street Fighter stars Noah Centineo and Andrew Koji as two estranged fighters in the 1990s who are recruited into a tournament that forces them to face each other. It is based on Capcom’s long-running fighting game series and distributed by Paramount for Legendary Entertainment.
Deadline reports that the film is pulling an older male crowd, with men over 35 making up about 45% of the audience. That overlap is one reason analysts cite for Whalefall‘s weak start, since both films are competing for similar viewers.
A franchise with a mixed movie history
This is the third time Hollywood has tried to turn Street Fighter into a live-action film. As Variety notes:
- Street Fighter (1994): starred Jean-Claude Van Damme and grossed about $100 million, not adjusted for inflation.
- Street Fighter: The Legend of Chun-Li (2009): earned just $12.8 million against a $50 million budget, a major misfire for 20th Century.
- Street Fighter (2026): on track for $31 million in its first three days alone.
Video game adaptations have become one of Hollywood’s most reliable genres, and Sony’s Resident Evil is still in the top 10 in its fifth weekend with $148.5 million so far. If you follow gaming news, see our coverage of Microsoft’s Xbox Nano Controller for more from the gaming side.

You Can See Everything makes documentary history
The real story of the weekend may be A24’s You Can See Everything, a three-hour non-fiction film about Theranos founder Elizabeth Holmes made by comedian Nathan Fielder and Primetime filmmaker Lance Oppenheim. Variety says the pair worked on it quietly for more than three years, filming Holmes in the month before she began an 11-year prison sentence for defrauding investors.
If it lands in its projected range, it would be the second-best opening ever for a documentary, behind 2004’s Fahrenheit 9/11 at $23.9 million, according to Deadline. Initial expectations were only $7 million to $8 million, per Variety, and the film is set to pass the $7.1 million opening of Amazon MGM’s Melania, which had been the biggest debut for a non-music documentary in over a decade.
Deadline reports about 1,300 sellouts over the weekend and lines around the block at theaters such as the Village East in New York and the Belcourt in Nashville. That is remarkable for a film playing on only 855 screens, and its per-theater average is far above anything else in the top five.
Why the Holmes story still sells
It has been years since Theranos collapsed, and the story has already been told in Hulu’s Emmy-winning limited series The Dropout with Amanda Seyfried. The strong turnout suggests audiences are still fascinated by tech-industry scandals, especially with a filmmaker as unpredictable as Fielder involved. Tech-adjacent stories have been a recurring theme in entertainment lately, including Netflix’s OpenAI-powered homepage redesign and its new content chief.
Whalefall sinks, Austen adaptation floats
20th Century Studios’ Whalefall, which Deadline describes as a $60 million production, is projected to open to only about $7.5 million. Directed by Brian Duffield, it follows a scuba diver, played by Austin Abrams, who is swallowed by a sperm whale and has an hour of oxygen left to escape.
Focus Features’ Sense and Sensibility, directed by Georgia Oakley and starring Daisy Edgar-Jones and Esmé Creed-Miles as Elinor and Marianne Dashwood, is targeting about $6.7 million. That is a modest start for the latest take on the Jane Austen novel, which is best remembered on screen for the 1995 version with Emma Thompson and Kate Winslet.
Holdovers to watch
- Other Mommy drops about 72% in its second weekend but has reached about $44.3 million.
- Verity is at roughly $66.4 million after three weekends.
- Jailer 2 opened in 420 theaters with a projected $2.4 million, per Deadline.
What to watch next
Studios will report Sunday estimates later today in US time, and final numbers arrive on Monday. The key questions are whether Street Fighter holds at or above $31 million and how close You Can See Everything gets to the top of its range. Strong word of mouth for the documentary could also push A24 to expand it to more theaters in the coming weeks.



